Lefty frizzell saginaw michigan - Lefty Frizzell - Saginaw Michigan - YouTube

William Orville Frizzell was born the son of an oilman, the first of eight children, in Corsicana in Navarro County in Central Texas . During his childhood, his family moved to El Dorado in Union County in south Arkansas . As a child he was called "Sonny," but later took the name "Lefty." It was believed they called him "Lefty" because he had won a neighborhood fight, however it turned out that this tale was a part of a fake publicity stunt set up by his label. Frizzell's largest influences included the blue yodeler Jimmie Rodgers . He began listening to Rodgers' records as a boy. He began singing professionally before his teens, even earning a spot on the local radio-station KELD El Dorado. Frizzell's teens were spent singing in nightclubs and radio and talent shows throughout the south. During his tour of Arkansas, Texas, New Mexico , and Las Vegas , he began to draw a style of his own, shaped from artists like Rodgers, Ernest Tubb , and Ted Daffan .

This song, written by Texas country lyricist Kinky Friedman, paints a picture of the sleepy life in Rapid City during the winter.

Sessions Records was a label that sold records through radio and television advertisements. They were the record label arm of Audio Research, Incorporated, located in the greater Chicago area. Early albums had an address of Hillside, Illinois, followed by Lombard, Illinois, Lisle, Illinois, and Downer's Grove, Illinois. By the late 1980s, Sessions had moved to 5050 List Drive in Colorado Springs, Colorado. President of Sessions Records, and listed on some discs as the reissue producer, was John Werling.

Sessions usually had two or three record sets pressed by the Special Products divisions of the major labels (Columbia, RCA, Warner Brothers, MCA), so the quality of the vinyl was excellent. Although most of the contents of the albums was standard reissue fare, occasionally they would come up with a rare stereo find such as the stereo version of "You'll Lose a Good Thing" by Barbara Lynn on For Ladies Only .

In addition to reissuing oldies albums, the early 1980s brought a series of albums by the Smurfs, usually reissues of Canadian albums, as well as the reissue of the Canadian Raccoons on Ice , narrated by Rich Little.

Sessions had their own series, the ARI-1000 series (ARI derived from Audio Research, Inc.), but many albums just used the numbers of the Special Products companies that pressed them.

Sessions began issuing CDs in the late 1980s. By about 1993, they discontinued issuing albums.

Early Sessions labels had the logo on top without other graphics. Labels were printed in various colors, . red, black, light blue, yellow. A Canadian Sessions label is yellow with the same design (far left). The ARI-5000 series used a label with a blue field on the bottom, and a sunburst graphic on top. By the 1980s, the Sessions label was brown, with the label name in yellow across the middle of the label. Later in the 1980s, a grey label with the label name in red above the center hole was used. Sessions albums pressed by Capitol Special Markets in the 1970s used the usual tan CSM label. In the 1980s, the Capitol Special Markets label shifted to a yellow design with the Capitol Tower in the background. Sessions albums pressed by Columbia Special Products used the usual CSP red label. RCA Special Products pressings of Sessions albums before 1974 used the tan RCA label. In 1974, the RCA Special Products label switched to blue, and by 1977, to black. Warner Special Products pressings of Sessions albums had the usual Warner Special Products label scheme. Disc 1 in a set had a red band around the edge of the label, disc 2 a yellow band, disc 3 a blue band, disc 4 a green band, disc 5 a purple band, etc.

We would appreciate any additions or corrections to this discography. Just send them to us via e-mail . Both Sides Now Publications is an information web page. We are not a catalog, nor can we provide the records listed below. We have no association with Sessions Records. Should you be interested in acquiring albums listed in this discography (all of which are out of print), we suggest you see our Frequently Asked Questions page and follow the instructions found there. This story and discography are copyright 2008, 2010 by Mike Callahan.

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